After a lengthy hiatus — four years since the previous album — Australian outfit VIRGIN BLACK present their new disc, Requiem - Mezzo Forte, the first part of an upcoming trilogy, to be followed by Requiem - Pianissimo and Requiem - Fortissimo.
VIRGIN BLACK have always been something very original and distinct to me, something defying classification and identification — a band with a truly unique sound. Perhaps nothing from the world of music in 2007 struck me as much as Requiem. While "Elegant...and Dying" was somewhat academic and drawn out in duration — at times one had to make an effort to continue listening, making it an album for acquired tastes — this new disc takes hold of you and doesn't let go for a long time. Despite its relatively short duration for music of this kind, it contains so much that is wonderful and interesting that you develop a deep respect for the musicians.
Requiem is orchestral-operatic gothic doom metal. And the most fascinating thing is that I simply cannot see anything comparable on today's scene. The orchestral component, which occupies a substantial place in VIRGIN BLACK's work, greatly diversifies the music, making it deep, emotionally rich, and sensual. As for differences from previous work, a magnificent female soprano has now been added to the superb male tenor. All of this, combined with the viscous riffs of overdriven guitars and magnificent orchestral arrangements, produces such a rich picture that words fail to describe it. I consider this album the best in the Australians' discography.
In my view, everyone for whom this kind of music matters should listen to Requiem - Mezzo Forte and draw their own conclusions, but to overlook it would be a mistake.